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The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.

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A good man trys to help a blind girl to see again but he doesn't have enough money for the operation.

Popstar dies by accident, and Heaven's bureaucrats send her back to earth to inhabit a different body.

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A paper boy is invited in for a glass of milk by an elderly man. An alluring young woman enters the room. The paper boy leaves the room to take a shower... This early short by New Zealand film director Florian Habicht was shot on a windup Bolex 16mm camera. Dialogue and sound were recorded and added later, enhancing the surreal tone of this tale of quirky suburban desire. Habicht rejects traditional narrative in favour of juxtaposition and dark humour.

该系列展现了欧洲一些最美丽地区的园艺爱好者，他们凭借富有想象力的创作，不仅打造出了令人赏心悦目的景致，还营造出了让人驻足流连的宁静之地。01. 诺曼底 02. 托斯卡纳 03. 吕讷堡石楠草原 04. 康沃尔 05. 安达卢西亚

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